Old Point Loma Light

Built in 1855 the Old Point Loma Lighthouse at the entrance of San Diego Bay only operated for 36 years before being replaced. The lighthouse was constructed atop the cliffs on Point Loma with the light 422 feet above the water below. As a result, it was often shrouded in fog and invisible to the mariners it was intended to guide. So on March 23, 1891, the light was extinguished and moved to the New Point Loma Light just 100 yards closer to the shore but nearer the cold Pacific shore and clearer nights.

The lighthouse as seen from the Pacific side, Canon G15, 1/1600 sec @ f/8.0, ISO 200.

Looking up at the five foot tall 3rd order Fresnel lens from atop the stairway, 1/125 sec @ f/8.0, ISO 200.

Finally the view looking down the stairway from the top landing, 1 sec @ f/8.0, ISO 200.

"I never met a color I didn't like." - Dale Chihuly

We went to see the Chihuly exhibit at the Virginia Museum of Fine Arts today. It is amazing. I really appreciate his work and his policy allowing educational and non-commercial photography of his work. Please enjoy this mini-tour as captured by my camera. The pictures show the colors and some of the glory of the work but they are no substitute for seeing them in person. The descriptions are from the text presented with each display at the VMFA. I hope my photos inspire you to make the trip to Richmond to experience it in person. Better hurry through the show ends February 10, 2013.

All the photographs were taken with a Canon 5D Mark II with either a 35mm prime lens or a 100mm macro lens.

FIORI AND FLOAT BOATS - They would get in their boats and go down and collect the glass—it looked so stunning in the rowboat—that was a whole new idea for me, and it’s one that I still use today.
—Dale Chihuly

This installation includes two of Chihuly’s wooden rowboats, one filled with Fiori elements and another with Niijima Floats. The Fiori Boat features various garden glass shapes and forms inspired by Chihuly’s love of gardens and conservatories. Niijima Floats were inspired by the artist’s trip to the Japanese island of Niijima and by childhood memories of discovering Japanese fishing net floats along the beaches of Puget Sound. Chihuly first filled boats with his glass pieces in Nuutajärvi, Finland, during the Chihuly Over Venice project in June 1995. Wondering if the glass would float, Chihuly began tossing works into the river and let them float downstream. Local teenagers in small, wooden rowboats gathered them up.

PERSIAN CEILING - The Persians—that’s one of the most difficult series to describe. It started off that they were geometric shapes, I think—it was a search for new forms. It was so interesting, what came out of it—we worked for a year only on doing experimental Persians—so I got to pick and choose from these parts and develop a new series. It has changed in many ways over the years.
—Dale Chihuly

Chihuly began the Persians series in 1986 while experimenting with new forms. Originally, he displayed Persians in pedestal compositions, often with smaller shapes nested in larger pieces. The first Persian Ceiling was presented in his 1992 exhibition at the Seattle Art Museum. Lit from above and resting on a flat glass pane, the elements of the Persian Ceiling come together to provide an immersive experience in color and shape. There are over a thousand Persian pieces in this installation.

MACCHIA FOREST - I think it was in 1981 that I woke up one morning and said,“I’m going to use all three hundred colors in the hotshop in as many possible variations and combinations as I can.” I started by making up a color chart with one color for the interior, another color for the exterior, and a contrasting color for the lip wrap, along with various jimmies and dusts of pigment between the gathers of glass. Throughout the blowing process, colors were added, layer upon layer. Each piece was another experiment. When we unloaded the ovens in the morning, there was the rush of seeing something I had never seen before. Like much of my work, the series inspired itself. The unbelievable combinations of color—that was the driving force. —Dale Chihuly

Chihuly chose the name for this series after asking his friend, artist Italo Scanga, for the Italian word for “spotted” or “stained.” Initially quite small, the Macchia grew in size and, like earlier works, were amassed into groupings or “families.” The Macchia here are installed together on pedestals in a group called a Macchia Forest.

This is a detail of a very small part of the piece called LAGUNA TORCELLO.

NEON TUMBLEWEED Talk about a form of light—neon is light itself. But, of course, neon couldn’t exist without glass. —Dale Chihuly

REEDS ON LOGS - In Finland we started making these long, cylindrical pieces, which looked like spears. This was an exciting new form. It was the first time we ever made anything like that. They can be taken anywhere—they can go outside. They are very strong pieces, and they are very dramatic. —Dale Chihuly

Installations of Reeds, or Spears as they were first named, began when Chihuly was working in Finland in 1995. The first time Chihuly combined Reeds and logs was for an installation at the Marlborough Gallery in New York. Since then, he has continued to create these works in various colors, installing the series both outdoors and indoors.

All Good Things Come To An End

I've been taking and posting a picture each day to this blog since January 1, 2009. What started out as a 365 Project to improve my photography skills by committing to take a picture each day for a year turned into four years of continuous picture taking. So after 1,461 photos I'm calling an end to my "Extreme 365" project. I want to thank all of the those loyal followers who posted comments and encouragement both on the blog and on Facebook. Sometime soon I'll launch a new blog featuring my photography. Take care and have a great 2013. Collage created using 1461 photos with Shape Collage Pro.

Headed Down

I couldn't end the year without another stairway picture. Don't know what it is that catches my eye about stairs, but I think they make cool photos. iPhone 5, 1/30 sec @ f/2.4, ISO 50.

Barbacue and Fries

Doumar's classic drive-in on a December Saturday night. Yep, pork barbecue sandwiches with cole slaw and an order of fries. It's a Norfolk Virginia legend and a frequent stop for us. iPhone 5, 1/20 sec @ f/2.4, ISO 100, Olloclip fish eye lens.

Doug's Dome

Looking up at the inside of the dome at the Douglas MacArthur Memorial in Norfolk Virginia. Around the dome are inscribed the names of major battles from MacArthur's 50 years of service in the U.S. Army. His career spanned the Mexican Revolution, WWI, WWII and the Koren War. The building and its dome was originally designed as Norfolk's City Hall by Thomas U. Walter architect of the U.S. Capitol dome in Washington D.C. City Hall was completed in 1850. The dome is 32 feet in diameter and 52 feet high. iPhone 5, 1/24 sec @ f/2.4, ISO 50, Olloclip fisheye lens.

Corinthian Console

This pair of Corinthian-styled consoles support a shallow stone balcony above the main entrance to the 1899 Federal Courthouse and Post Office in Norfolk Virginia. The building housed the U.S. Courthouse and Post Office until 1934, it then served as Norfolk's City Hall from 1938 through 1965 and other local government agencies occupied the building until 1977. It now being renovated and will serve as part of the City's new Slover Library scheduled to open in late 2014. The building is a rare example of Neo-Palladian Revival style. Canon G15, 1/1250 sec @ f/2.8, ISO 400.